Research brief · 27 Oct 2026

Clavicular's clipping machine, and how we run our own

He has about 8,000 people watching live and gets around a billion clip views a month. This page explains how that works and gives the checklist for copying the machine without copying the outrage.

Most of his numbers are his own claims or press estimates. Kick has not published any of them. Ticks on the checklists are saved in your browser only.

The model in one paragraph

Clavicular (Braden Peters, 20, "looksmaxxing") streams IRL on Kick for up to 8 hours a day. Each stream is built to produce moments that make sense out of context: mogging strangers, nightclubs, fights, arrests, gambling. Around 950 to 1,610 anonymous clippers cut those moments and post them to TikTok, YouTube Shorts, Instagram and X. Every clip carries a large kick.com/clavicular logo. He says Kick pays the clippers, not him, because the logo is advertising for Kick. He calls it the "infinite clip glitch."

~8–10klive viewers at once
~1Bclip views a month (2.2B peak)
1,610registered clippers
$30per 1,000 views, paid by Kick

The numbers and how far to trust them

MetricFigureSourceTrust
Hours live a dayup to 8NYT via Business of TVmedium
Clippers950 → 1,610GQ, then L'ADNmedium
Clips in one month69,550L'ADNlow–medium
Clip views in one month2.2B peakHis claim, Iced Coffee Hour, Jul 2026low
Kick's clip spend in a month~$700kHis claim (L'ADN says $950k+ paid)unverified
Normal market rate$1–3 / 1kClipping-agency guidesmedium
Kick followers~425kwin.ggmedium
Followers on all socials< 1.7ML'ADNmedium
Subathon, first 5 days$100k+win.gglow–medium

Billions of views produced fewer than 1.7M followers. Paid clip views do not turn into an audience at the same rate.

How the machine runs

  1. Long daily live stream. The raw footage is unscripted, and more hours on air means more moments to clip.
  2. Moments built to be clipped. Each one works as a 15–60 second clip with no context needed.
  3. One shared watermark on every clip, which gives the views one destination and gives the sponsor a reason to pay.
  4. Clippers paid per 1,000 views. Anyone can join, and the pay model lets the market find the winning moments.
  5. Every short-form platform at once. The same moment goes up from many accounts and floods the algorithm.
  6. A sponsor pays. Kick funds it as advertising and sets the rate against its own ad costs.
  7. Attention is sold elsewhere: subs, subathons, the Stake casino sponsor, a $50/month paid community.
  8. Escalation. Each scandal feeds the next round of clips, which led to bans, arrests and his PR rep quitting.

The model comes from Andrew Tate's Real World, where members earned a 48% affiliate commission for posting ragebait clips. Clavicular's version has the platform pay instead.

What to copy and what to leave out

Copy

  • Long raw sessions as clip material: webinars, podcasts, deal reviews, live Q&A
  • Pay clippers per 1,000 verified views
  • One watermark and one destination on every clip
  • Many clippers posting on many platforms
  • A path from free attention to a paid community to high ticket

Never copy

  • Ragebait, humiliation, fights, illegal stunts
  • Bought views or view-botting
  • Clips that twist what was said
  • Undisclosed paid posts (the FTC requires #ad)
  • Gambling or crypto-casino tie-ins

The SOP: running our own clipping program

Kick pays Clavicular's $30 rate. We pay our own clippers, so the plan starts at $1.00–1.50 per 1,000 views.

$1.50 × 10,000,000 views ÷ 1,000 = $15,000 a month
$5,000 test budget ÷ $1.50 × 1,000 ≈ 3.3M views

A · Before launch (once)

B · Every session

C · Every day (15 minutes, one owner)

D · Every week (report to Moran)

LineTarget
Clips posted100+ by week 4
Verified views1M+ by week 4
Spendwithin the cap
Cost per 1,000 views≤ $1.50
Clicks to the destination (UTM)track
Calls booked from clip trafficthe number that decides
Cost per booked callcompare with Meta ads

E · Decide at 30 days

The lesson

Views are cheap when someone else pays for them. Clavicular's billion views ran on Kick's ad budget and on scandal. We copy the machine (long raw sessions, paid clippers, one watermark, one destination) without the outrage, and judge it on booked calls rather than views.

Sources